Flicker #24Program #24

      Flicker #24, April 26, 1999

      here's what we screened:

      John Baker "Business as Usual"
      super 8 8 min

      Susanne Lee and Deok Song "The Fish"
      super 8 4 min

      Dave Bjorback "Tricky the Cosmonaut"
      super 8 6 min

      Rob Koegler "Florida 1998"
      16mm 5 min

      Michael Cato "Revolution pantomime" 16mm 1 min
      16mm 1 min

      Reed O'Beirne "Scratch"
      super 8 3 min

      Nayeli Garci-Crespo "Vanishing Point" 16mm 12 min
      16mm 12 min

      Brad Boll "COPS" 16mm 1 min
      16mm 1 min

      Mark Andrews "The Great Purse Snatching"
      16mm 3 min

      Abbie Bowman "Momentarily Blue"
      super 8 2 min

      Killing My Lobster "Bonjour Sandwich"
      16mm 2 min

      David Bediz "Upset Tummy"
      16mm 1 min


      Flicker #24

      I think we're setting a Flicker record tonight for the most (& often the shortest) films we've ever screened. I'm glad to announce that super8 seems to have made a comeback of sorts too. I don't know about the statistical validity of using this as a sign of trends in local filmmaking, but I'm willing to suspend disbelief & take this as a sign that 1. Lots of people seem to be making really cool short (short) films and 2. that super 8 is making a comeback after a slight dip in local s8 production. Let's not take this as an excuse to rest on our laurels, though (especially given the completely bogus assumptions that these predictions are derived from). So, again, if you need a super 8 camera to shoot on, let me know & yr name can be all over page 1 next Flicker. What's more if you've got an idea for a film & are totally broke, you can always apply for the $100 Flicker grant. (this next part is really exciting so it's gonna be in all caps) AND NOW (thanks to Yale Labs) SOME LUCKY FLICKER FILMMAKER WILL NOW BE THE BENEFICIARY OF FREE PROCESSING FOR A ROLL OF SUPER 8 AT EACH & EVERY FLICKER. (Now there are two great ways to win) We haven't gotten anyone to donate the stock yet (although we're working on it), so for now, I'll just throw it in. That means that we're pretty much guaranteed one super 8 print per Flicker from here on out. You see, all that speculation up above is true.
      Happy viewing.
      Yours,
      Roger

      stock report

      Well, we super 8 filmmakers still have 5 stocks available from Kodak (Kodachrome & Ektachrome for color reversal, Plus-X & Tri-X for B&W reversal, 7293 [200T] for color negative [this last was a surpise to me--it used to only be available in Japan & to the military in this country]). As for processing, the Ektachrome & B&W can be done anywhere that does s8 (Yale & Pac Lab are our favorites--their info is in this guide). The kodachrome is a little trickier, but not as tricky as it used to be. Kodak sends their Kodachrome processing to Switzerland which means you'll have to wait 3 weeks to get your footage back. Now, fortunately, they also process Kodachrome at Fuji in Arizona. Word on the street is that their processing isn't quite as meticulous (b/c Kodachrome is a pain to process), but I've seen some stuff processed there & it looks ok to me, especially given that you can get your film back within a week. If you can afford it, super 8 sound will slit any available stock into super 8 gauge for $33 a roll (which includes processing). You'd have to go to them for processing the 7293 as well (which is $16). Then things get even trickier & more expensive. Kodak doesn't make print paper for s8, so the only way to view it with the proper colors is to do a video transfer on a real telecine unit at $275/hr. Then you take that transfer & blow it up to Imax (70mm/15 perf.) & you're all set. (I'm just kidding, but it does seem like a really pricey way to go.) Of course, if you want to shoot negative film & then project the negative, that's something you can do...

      Flicker film grant

      Congrats to Brad Boll for taking home the dough at Flicker #23. His film "8 1/2" was awesome & he tells me there's plenty more where that came from. He plans to use the money to shoot some demo footage to use in a couple of super 8 classes that he's teaching to get the word to the masses. (If you're interested, let me know & I'll send you his way.) Tonite's grant (which will take us up to $1700 in total grants) will go to some lucky filmmaker among you. Hold your breath & cross your fingers. If you'd like to be considered for upcoming Flicker grants or the NEW SUPER 8 FILM & PROCESSING GRANT, send a script, treatment, half-articulate idea, or lunatic raving to:

      Flicker
      4000 Forestdale Dr.
      Durham, NC 27712

      or

      roger.beebe@duke.edu

      Good luck.


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